theory from Frank Singer.comDominant Chords | print this page | close this window |


Dominant Chords are chords of tension, with resolution tendencies to tonic chords.
In contemporary harmony, dominant is one of three functional harmony categories.

Functional Harmony
Tonic
chords of rest or resolution
Sub-Dominant
chords of movement
Dominant

Dominant chords use the seventh scale-degree (ti), known as the leading tone, in their construction. Dominant chords also usually contain, and must support, the sub-dominant note (fa), scale-degree four. Scale-degree one (do), the tonic note, cannot be a chord-tone or tension (melody note). The tendency to resolve to this note is created by its lack.

Primary Diatonic Dominant
V7
G7
Substitute Dominant Chords
[ tritone substitution / SUB V ]
subV7
Db7
Ascending Approach Diminished
VIIo7
Bo7

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