theory from Frank Singer.com Drop Voicings | print this page | close this window |


Drop Voicings are a type of open chord; a chord which spans more than an octave. Creating drop voicings begins with a 4-way close voicing, one in which all four chord tones are within one octave. These are also sometimes refered to as close voicings, closed voicings, or voicings in close position. In a 4-way close voicing, the highest-pitched note is numbered as voice 1. This is considered the melody, and is sometimes called the lead. Each note is numbered from the highest down no matter what the inversion is.

4-Way Close Voicing
labeled voices in a close position seventh chord
First Inversion Cmaj7 chord; Root in the Lead (Melody)

Once the melody is established, one or more of the lower voices is dropped down one octave. The title of the drop voicing describes which voice is dropped. The most common drop voicings are drop 2 voicings, in which the second voice is dropped, and drop 3 voicings, in which the third voice is dropped.

Drop Voicing Examples
Cmaj7 chord as example
root in melody
root in the lead examples
   CLOSE -- DROP 2 -- DROP 3
third in melody
third in the lead examples
   CLOSE -- DROP 2 -- DROP 3
fifth in melody
fifth in the lead examples
   CLOSE -- DROP 2 -- DROP 3
seventh in melody
seventh in the lead examples
   CLOSE -- DROP 2 -- DROP 3

Inversion Sets - Drop 2 and Drop 3 Voicings
drop 2 voicings through inversions
Drop 2; R - 3 - 5 - 7 Melody notes
drop 3 voicings through inversions
Drop 3; R - 3 - 5 - 7 Melody notes

In addition to Drop 2 and Drop 3 voicings, there are Drop 4, Drop 2 and 3, Drop 2 and 4, Drop 3 and 4, and Drop 2,3 and 4 voicings. These are not as commonly used, as the spacing is less regular, and can give a slightly less blended sound.

Various Drop Voicings
Drop 4, Drop 2 and 3, Drop 2 and 4, Drop 3 and 4, Drop 2,3 and 4
Cmaj7 chord; Root in the Lead (Melody)

 


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